
2012 |
Performances
March 16 – Niederlehme/Church: "in allen landen"
Composition after Kathleen Furthmann for Mixed Chorus a cappella (labia vocalia Vocal Ensemble)
March 16 – Niederlehme/Kirche: weht – umweht
Composition after Kathleen Furthmann for Mixed Chorus a cappella (labia vocalia Vocal Ensemble)
March 17 – Magdeburg/Forum Gestaltung:: "in allen landen"
Composition after Kathleen Furthmann for Mixed Chorus a cappella (labia vocalia Vocal Ensemble) – Telemann Festival –
March 17 – Magdeburg/Forum Gestaltung: weht – umweht
Composition after Kathleen Furthmann for Mixed Chorus a cappella (labia vocalia Vocal Ensemble) – Telemann Festival –
March 18 – Steffenshagen/Church: "in allen landen"
Composition after Kathleen Furthmann for Mixed Chorus a cappella (labia vocalia Vocal Ensemble)
March 18 – Steffenshagen/Church: weht – umweht
Composition after Kathleen Furthmann for Mixed Chorus a cappella (labia vocalia Vocal Ensemble)
March 28 – Clemson/University: tanz.tanz
Composition for Violin (Holly Jenkins)
March 28 – Clemson/University: Kaddish: The Art of Losing
Composition for Violoncello and Piano (Dylan Messina, Danny Walden)
March 29 – Greenville/Furman University: tanz.tanz
Composition for Violin (Holly Jenkins)
March 29 – Greenville/Furman University: Kaddish: The Art of Losing
Composition for Violoncello and Piano (Dylan Messina, Danny Walden)
April 14 – New York/Manhattan School of Music: Three American Folk Songs
Arrangements for Voice and Piano (Sveta Verashnia, James Tucker)
April 21 – Oberlin/College: tanz.tanz
Composition for Violin (Holly Jenkins)
May 24 – Magdeburg/Forum Gestaltung: Es geht ein dunkle Wolk herein
Composition after the German Folk Tune for Flute and Guitar (Arc Duo: Heather Holden, Bradley Colten)
May 25 – Retschow/Church: Es geht ein dunkle Wolk herein
Composition after the German Folk Tune for Flute and Guitar (Arc Duo: Heather Holden, Bradley Colten)
May 26 – Steffenshagen/Church: Es geht ein dunkle Wolk herein
Composition after the German Folk Tune for Flute and Guitar (Arc Duo: Heather Holden, Bradley Colten)
May 27 – Niederlehme/Church:: Es geht ein dunkle Wolk herein
Composition after the German Folk Tune for Flute and Guitar (Arc Duo: Heather Holden, Bradley Colten)
May 31 – Wernigerode/Lyceum: Four German Folk Songs
Arrangements for Voice and Piano (Nani Füting)
June 10 – Seoul/Sejong Chamber Hall: tanz.tanz
Composition for Violin
June 14 – Seoul/Olimpus Hall: Four German Folk Songs
Arrangements for Voice and Piano (Nani Füting)
October 13 – Dresden/Church Loschwitz: "mehr als frieden"
Composition after Kathleen Furthmann for Mixed Chorus a cappalla and Ensemble (Saxon Vocal Ensemble/Matthias Jung) – Heinrich-Schütz-Musikfest –
October 13 – Dresden/Church Loschwitz: "...als ein licht/extensio"
Composition after Kathleen Furthmann for Mixed Chorus, Percussion and Organ (Saxon Vocal Ensemble/Matthias Jung) – Heinrich-Schütz-Music Festival –
Concerts
March 16 – Niederlehme/Curch: Hassler and Praetorius with the vocal ensemble labia vocalia
March 17 – Magdeburg/Forum Gestaltung: Hassler and Praetorius with the vocal ensemble labia vocalia
March 18 – Rostock/Kirche: Hassler and Praetorius with the vocal ensemble labia vocalia
May 31 – Wernigerode/Lyceum: Lied Recital with Nani Füting (Schumann, Schönberg, u.a.)
June 9 – Heyri/Camerata Hall: Liebesliederwalzer by Brahms
June 10 – Seoul/Sejong Chamber Hall: "Pierrot Lunaire" by Schönberg
June 14 – Seoul/Olympus Hall: Brahms: Lied Recital with Nani Füting (Schumann, Brahms, Schönberg, Vigeland, Füting)
Moderations/Panels
January 21 – New York/EXAPNO New Music Community Center: "Ear To Mind" Second Annual New Music Forum
2011 |
Performances
February 8 – New York/INTAR Theater: Ach Elslein, liebes Elselein/extraction
Composition after the German Folk Song/Version for Trumpet in B-flat and Trombone (Andrew Kozar, William Lang) – Tuesday Night Music Series –
February 17 – Wild Project Gallery/New York: Kaddish: The Art of Losing
Composition for Violoncello and Piano (Ben Capps, Yegor Shevtsov) – Avant Music Festival –
February 17 – Wild Project Gallery/New York: leaving without/palimpsest
Composition for Piano with Clarinet (Carol McGonnell, Yegor Shevtsov) – Avant Music Festival –
February 17 – Wild Project Gallery/New York: light, asleep
Composition for Violin and Piano (Josh Modney, Yegor Shevtsov) – Avant Music Festival –
February 17 – Wild Project Gallery/New York: Drei Amerikanische Volkslieder
Arrangements for Voice and Piano (Megan Schubert, Yegor Shevtsov) – Avant Music Festival –
March 24 – New York/Gershwin Hotel: Hine ma tov
Arrangement for Guitar (Dan Lippel)
April 16 – New York/Tenri Cultural Center: Kaddish: The Art of Losing
Composition for Violoncello and Piano (John Popham, Amir Khosrowpour) – Leschetizky Association Concert Series –
May 1 – New York/Christ and St. Stephen's Church: Kaddish: The Art of Losing
Composition for Violoncello and Piano (Ben Capps, Yegor Shevtsov)
May 1 – Bloomsberg, PA/Moose Exchange: land of silence
Composition (in Refernce to Kathleen Furthmann) for Trumpet, Trombone, Bass Clarinet, and Baritone (loadbang: Andy Kozar, Will Lang, Alejandro Acierto, Jeff Gavett)
May 2 – Ithaca, NY/Cornell University: land of silence
Composition (in Refernce to Kathleen Furthmann) for Trumpet, Trombone, Bass Clarinet, and Baritone (loadbang: Andy Kozar, Will Lang, Alejandro Acierto, Jeff Gavett)
May 3 – Baltimore, MD/Bohemian Cafe: land of silence
Composition (in Refernce to Kathleen Furthmann) for Trumpet, Trombone, Bass Clarinet, and Baritone (loadbang: Andy Kozar, Will Lang, Alejandro Acierto, Jeff Gavett)
May 5 – New York/Bulgarian Consulate: tanz.tanz
Composition for Violin (Alexandrina Boyanova)
June 2 – New York/Riverside Church: Kaddish: The Art of Losing
Composition for Violoncello and Pianor (Greg Hesselink, Jonathan Faiman) – Locrian Chamber Players Concert Series –
June 4 – Dresden/St. Petri Church: "...als ein licht/extensio"
Composition after Kathleen Furthmann for Mixed Chorus, Percussion and Organ (Meißner Kantorei/Christfried Brödel) – 33rd Lutheran Convention in Germany –
June 15 – Lecce/Museo Castromediano: tanz.tanz
Composition for Violin (Alexandrina Boyanova)
June 21– Sofia/National Music School "Lubomir Pipkov": tanz.tanz
Composition for Violin (Alexandrina Boyanova)
June 21 – Schönberg/St. Laurentius Church: Mille regretz – Ach weh des Leiden
Arrangements for Violin, Clarinet, Violoncello, and Piano (Emannuelle Bernard, Miguel Pérez-Iñesta, Andreas Voss, Benjamin Kammerer) – Schönberg Summer Music Festival –
July 11 – Varna/Radio Varna Concert Studio: tanz.tanz
Composition for Violin (Alexandrina Boyanova)
July 28 – North Adams, MA/MASS MoCA: leaving without/palimpsest
Composition for Piano with Clarinet (Alejandro Acierto, Karl Larson) – Bang on a Can Summer Festival –
August 12 – Leipzig/St. Nikolai Church: "...als ein licht"
Composition after Kathleen Furthmann for Mixed Chorus a cappalla (Meißner Kantorei/Christfried Brödel)
August 13 – Colditz/St. Egidien Church: "...als ein licht"
Composition after Kathleen Furthmann for Mixed Chorus a cappalla (Meißner Kantorei/Christfried Brödel)
September 24 – Sarasota/New College: tanz.tanz
Composition for Violin (Miranda Cuckson)
October 16 – Meißen/Cathedral: "...als ein licht/extensio"
Composition after Kathleen Furthmann for Mixed Chorus, Percussion and Organ (Meißner Kantorei/Christfried Brödel)
October 20 – Oberlin/Conservatory: tanz.tanz
Composition for Violin (Holly Jenkins)
October 20 – Oberlin/Conservatory: Kaddish: The Art of Losing
Composition for Violoncello and Piano (Dylan Messina, Danny Walden)
October 27 – Pittsburgh/Carnegie Mellon University: land of silence
Composition (in Refernce to Kathleen Furthmann) for Trumpet, Trombone, Bass Clarinet, and Baritone (loadbang: Andy Kozar, Will Lang, Alejandro Acierto, Jeff Gavett)
October 30 – Magdeburg/Forum Gestaltung: land – haus – berg
Composition 4 for Piano (Reiko Füting)
October 31– New York/Manhattan School of Music: finden – suchen
Composition for the 60th Birthday of Jörg Herchet for Alto Flute, Violoncello, and Piano (Eric Lamb, John Popham, Yegor Shevtsov)
November 10 – New York/Greenwich House of Music: land of silence
Composition (in Refernce to Kathleen Furthmann) for Trumpet, Trombone, Bass Clarinet, and Baritone (loadbang: Andy Kozar, Will Lang, Alejandro Acierto, Jeff Gavett)
November 15 – Buffalo/University: tanz.tanz
Composition for Violin (Holly Jenkins)
November 15 – Buffalo/University: Kaddish: The Art of Losing
Composition for Violoncello and Piano (Dylan Messina, Danny Walden)
November 17 – New York/Barge: tanz.tanz
Composition for Violin (Miranda Cuckson) – Bargemusic Concert Series –
November 30 – Valencia/Sala Clemente: land – haus – berg
Composition 4 for Piano (Yegor Shevtsov)
December 1 – Denia/Auditotio del Cetro Social: land – haus – berg
Composition 4 for Piano (Yegor Shevtsov)
December 4 – Dresden/St. Luke's Church: höhen – stufen
Composition after Kathleen Furthmann and Dieter Füting for Soloists, Chorus, and Chamber Orchestra (Singakademie and Sinfonietta Dresden/Ekkehard Klemm)
Concerts
June 12 – Niederlehme/Church: Schütz and Bach/Schemelli with Nani Füting, Mezzo Soprano – Open Church Day –
June 26 – Niederlehme/School: Lecture Recital with piano compositions for children
October 30 – Magdeburg/Forum Gestaltung: Lied Recital with Nani Füting (Debussy, Schönberg,etc.)
Guest Teaching
October 18-20 – Oberlin, OH/College of Music: Composer-in-Residence
Fall Semester – New York/New York University: Guest Faculty
August 15-22 – Magdeburg/Conservatory: Sommer Course of the Class for Children Composers
July 11-18 – Halle/Conservatory: Sommer Course of the Class for Children Composers
Guest Lectures
May 4 – New York/NYU: Portrait: Quotation and Form
June 15 – Berlin/Free University, International Summer University: Portrait: Quotation and Form
September 30 – Rom/Conservatory "S. Cecilia", Euromac 2011 Conference: No. 12 and No. 13 of Schumann's "Kinderszenen": Material and Interpretationm
October 18 – Oberlin/Conservatory: Portrait: Form and Material/Time and Memory
October 19 – Oberlin/Conservatory: Masterclass
October 20 – Oberlin/Conservatory: Masterclass
November 25 – New York/NYU: Portrait: Time and Memory
Moderations/Panels
January 22 – New York/EXAPNO New Music Community Center: "Ear To Mind" First Annual New Music Forum
February 12 – New York/Wild Project Gallery: "Avant Music Festival" Panel Discussione
April 3 – New York/Manhattan School of Music: Portrait: The Composer Joan Tower and her String Quartet "Night Fields"
Publications: Articles
"Ear to Mind" New Music Newspaper: Heights and Distances: The Opening of Nils Vigeland's "Die Jahreszeiten"
2010 |
Performances
March 16 – Velika Goriza/Pucko Uciliste: land – haus – berg
Composition 4 for Piano (Mia Elezovic)
March 18 – New York/Issue Project Room: land of silence
Composition (in Refernce to Kathleen Furthmann) for Trumpet, Trombone, Bass Clarinet, and Baritone (loadbang: Andy Kozar, Will Lang, Alejandro Acierto, Jeff Gavett)
April 4 – New York/Gershwin Hotel: land of silence
Composition (in Refernce to Kathleen Furthmann) for Trumpet, Trombone, Bass Clarinet, and Baritone (loadbang: Andy Kozar, Will Lang, Alejandro Acierto, Jeff Gavettt)
April 13 – Manzano/Villa Romano: light, asleep
Composition for Violin and Piano (Olivia de Prato, David Broome)
April 18 – Vienna/Liehartstaler Bockkeller: light, asleep
Composition for Violin and Piano (Olivia de Prato, David Broome)
April 24 – Duluth/University of Minnesota: Two American Folk Songs
Arrangements for Voice and Piano
May 5 – Eau Claire/University of Wisconsin/Eau Claire: Hine ma tov
Arrangement for Guitar (Dan Lippel))
May 26 – Bogotá/EAFIT University: Kaddish: The Art of Losing
Composition for Violoncello and Piano (Matiás Uribe, Alejandra Escobar)
June 29 – Wernigerode/Liebfrauen Church: Three American Folk Songs
Arrangements for Mixed Chorus a cappella (Radio Youth Choir Wernigerode)
July 30– Darmstadt/International Summer Course: Ach Elslein, liebes Elselein
Composition after the German Folk Tune for Violin and Viola (Olivia de Prato, Victor Lowrie) – International Summer Course Darmstadt –
October 23 – Magdeburg/St. Sebastian: "in allen landen"
Composition after Kathleen Furthmann for Mixed Chorus a cappella (labia vocalia Vocal Ensemble)
October 23– Magdeburg/St. Sebastian: weht – umweht
Composition after Kathleen Furthmann for Mixed Chorus a cappella (labia vocalia Vocal Ensemble)
October 24 – Wernigerode/St. Sylvestri: "in allen landen"
Composition after Kathleen Furthmann for Mixed Chorus a cappella (labia vocalia Vocal Ensemble)
October 24 – Wernigerode/St. Sylvestri: weht – umweht
Composition after Kathleen Furthmann for Mixed Chorus a cappella (labia vocalia Vocal Ensemble)
November 1 – New York/Manhattan School of Music: tanz.tanz
Composition for Violine (Miranda Cuckson) – MSM Faculty Composers Series ––
November 16 – Berlin/Berliner Salon: Kaddish: The Art of Losing
Composition for Violoncello and Piano (Wayne Foster-Smith, Matthew Rubenstein)
November 16 – Berlin/Berliner Salon: tanz.tanz
Composition for Violine (Melinda Watzel)
November 16 – Berlin/Berliner Salon: leaving without/palimpsest
Composition for Piano with Clarinet (Matthew Rubenstein, Miguel Pérez-Iñesta)
November 18 – Magdeburg/Conservatory: Kaddish: The Art of Losing
Composition for Violoncello and Piano (Wayne Foster-Smith, Matthew Rubenstein)
November 18 – Magdeburg/Conservatory: tanz.tanz
Composition for Violine (Melinda Watzel)
November 18 – Magdeburg/Conservatory: leaving without/palimpsest
Composition for Piano with Clarinet (Matthew Rubenstein, Miguel Pérez-Iñesta)
November 18 – Magdeburg/Conservatory: Mille regretz – Ach weh des Leiden
Arrangements for Violin, Clarinet, Violoncello, and Piano (Miguel Pérez-Iñesta, Melinda Watzel, Wayne Foster-Smith, Matthew Rubenstein)
Concerts
March 23– New York/Kuscioszko Foundation: Lied Recital with Nani Kang, Mezzo Soprano, and Inesa Sinkevych, Piano
June 1 – Berlin/Clavier-Cabinet: Schumann's "Frauenliebe und Leben" with Nani Kang, Mezzo Soprano, and "Kinderszenen" with readings by Kathleen Furthmann
June 2 – Schulpforta/State School: Schumann's "Frauenliebe und Leben" with Nani Kang, Mezzo Soprano, and "Kinderszenen" with readings by Kathleen Furthmann
June 3 – Weimar/Seebach-Stift: Schumann's "Frauenliebe und Leben" with Nani Kang, Mezzo Soprano, and "Kinderszenen" with readings by Kathleen Furthmann
June 4 – Schulzendorf/Patronatskirche: Schumann's "Frauenliebe und Leben" with Nani Kang, Mezzo Soprano, and "Kinderszenen" with by Kathleen Furthmann
June 5 – Niederlehme/Schule: Schumann's "Frauenliebe und Leben" with Nani Kang, Mezzo Soprano, and "Kinderszenen" with readings by Kathleen Furthmann
June 6 – Hütten/Kulturverein: Schumann's "Frauenliebe und Leben" with Nani Kang, Mezzo Soprano, and "Kinderszenen" with readings by Kathleen Furthmann
June 29 – Wernigerode/Liebfrauen Church: Three American Folk Songs with the Radio Youth Choir Wernigerode
August 1 – Niederlehme/Church: Fundraising Concert for the Organ of the Church in Niederlehmee
October 23 – Magdeburg/St. Sebastian: Works by Hassler and Praetorius with the Vocal Ensemble labia vocalia
October 24 – Wernigerode/St. Sylvestri: Works by Hassler and Praetorius with the Vocal Ensemble labia vocalia
Guest Teaching
May 18-21 – Bogotá/Javeriana Universität: Composer-in-Residence
May 24-26 – Medellîn/EAFIT Universität: Composer-in-Residence
Guest Lectures
January 7 – Dresden/Conservatory: No. 12 and No. 13 of Schumann's "Kinderszenen": Material and Interpretation
May 18 – Bogotá/Javeriana University: Portrait: Quotation and Form
May 19 – Bogotá/Javeriana University: Master Class
May 20 – Bogotá/Javeriana University: "Pression" and "Kontrakadenz" by Helmut Lachenmann
May 24 – Medellîn/EAFIT University: Portrait: Quotation and Form
May 25 – Medellîn/EAFIT University: Master Class
July 5 – Wernigerode/Composition Course for Children in the State of Sachsen-Anhalt: Portraits
July 21 – Bad Schandau/Composition Course for Children in Halle: Portrait
Choir Workshops
June 11-13 – Möser/Church: labia vocalia Magdeburg
June 25-29 – Wernigerode/State Music Highschool: Radio Youth Choir Wernigerode
July 3/4 – Wenkheim/Synagogue: Artikus e.V. (Artistic Initiative Lauda-Königshofen – Organization for Intercultural Dialogue)
Moderations
December 6 – New York/The Tank: Portrait: The Composer Carl Christian Bettendorf
Publications: Articles
Red Light Press: Heights and Distances: The Opening of Nils Vigeland's "Die Jahreszeiten"
Festschrift for Nils Vigeland's 60th Birthday
|
2009 |
Performances
January 17 – Dresden/Conservatory of Music “Carl Maria von Weber”: "der töne licht"
Composition 2 after Kathleen Furthmann for Mixed Chorus a cappella (Dresden Chamber Choir/Hans-Christoph Rademann) – Academy Dresden Chamber Choir –
February 22 – New York/Café Orwell: Ach Elslein, liebes Elselein
Composition after the German Folk Song for Violin and Viola (Olivia de Prato, Victor Lowrie)
February 24 – New York/Manhattan School of Music: nach-klang: dissolve/palimpsest 2
Composition for Piano with Ensemble (Anne Rainwater, Tactus Ensemble/Jim Baker)
April 27 – New York/CUNY: leaving without
Composition 2 for Piano (Judy Woo)
April 28 – New York/Yamaha Center: leaving without
Composition 2 for Piano (Mia Elezovic)
May 14 – New York/Manhattan School of Music: leaving without
Composition 2 for Piano (Mia Elezovic)
May 30 – Niederlehme/School: Three American Folk Songs
Arrangements for Voice and Piano (Axel Scheidig, Reiko Füting)
May 30 – Berlin/AudioFile: red wall
Composition for Guitar (Dan Lippel)
May 31 – Retschow/Church: red wall
Composition for Guitar (Dan Lippel)
June 1 – Steffenshagen/Church: red wall
Composition for Guitar (Dan Lippel)
June 1 – Medellín/Auditorium Fundadores: Universidad EAFIT: Ach Elslein, liebes Elselein
Composition after the German Folk Song for Violin and Viola (Olivia de Prato, Victor Lowrie)
June 2 – Magdeburg/Forum Gestaltung: red wall
Composition for Guitar (Dan Lippel)
June 2 – Berlin/Clavier-Cabinett: Three American Folk Songs
Arrangements for Voice and Piano (Axel Scheidig, Reiko Füting)
June 2 – Dresden/Conservatory of Music “Carl Maria von Weber”: "über zwischen-weltenn"
Composition after Kathleen Furthmann for Baritone, Piano, and Percussion Quartet (Ensemble Klangnetz/Eberhard Klemm) – Dresden Music Festival –
June 5 – Königs Wusterhausen/Castle: red wall
Composition for Guitar (Dan Lippel)
July 24 –Paris/Yamaha Artist Center: leaving without
Composition 2 for Piano (Jing Yang)
July 28 – Berlin/Clavier-Cabinett: leaving without
Composition 2 for Piano (Jing Yang)
September 4 – New York/The Stone: Kaddish: The Art of Losing
Composition for Violoncello and Piano (John Popham, Yegor Shevtsov) – Red Light New Music Series –
September 18 – Magdeburg/Konservatorium: "...gesammeltes Schweigen"
Composition after Reiner Bonack/Version for Soprano Voice without Accompaniment (Agnes Brya)
October 23 – Bowling Green/Bowling Green State University: infinite spring
Composition for Flute, Clarinet, Guitar, and Percussion (International Contemporary Ensemble ICE) – Bowling Green New Music Festival –
November 2 – New York/Manhattan School of Music: Kaddish: The Art of Losing
Composition for Violoncello and Piano (John Popham, Yegor Shevtsov) – MSM Faculty Composers' Concert Series –
November 6 – New York/The Tank: red wall
Composition for Guitar (Dan Lippel)
November 22 – New York/Tritiny Lutheran Church: weht – umweht
Composition after Kathleen Furthman for Mixed Chorus a cappella (Florilegium Chamber Choir/Nicholas de Maison)
November 30 –Zagreb/Museum Mirima: land – haus – berg
Composition 4 for Piano (Mia Elezovic)
Concerts
May 30 – Niederlehme/School: Lied Recital with Axel Scheidig, bass
June 2 – Berlin/Clavier-Cabinett: Lied Recital with Axel Scheidig, bass
June 5 – Königs Wusterhausen/Castlet: Felix Mendelssohn-Bartholdy/Songs without Words op. 30 no. 3/op. 19 no. 4
Guest Lectures
January 15 – Dresden/Three Kings Church: Portrait: Quote and Reference in Choral Music
February 22 – New York/Café Orwell: Portrait
February 29 – Princeton/Rider University, Westminster Choir College: Portrait: Quote and Reference in Choral Music
April 4 – Hempstead/Hofstra University: Music Theory at the Manhattan School of Music – Music Theory Society of New York State Annual Conference –
June 17 – Berlin/Free University, International Summer University: Portrait: Hierarchies of Form and Material
June 24 – Beijing/Central Conservatory: Three Menuets of the Notenbüchlein for Anna Magdalena Bach: Form and Material
June 25 – Beijing/Central Conservatory: No. 12 and No. 13 of Schumann's "Kinderszenen": Material and Interpretation
June 30 – Beijing/Central Conservatory: Wagner's "Tristan" and Monteverdi's "Cruda amarilli": Melodic Foreground and Harmonic Background
September 29 – Baltimore/John Hopkins University, Peabody Institute of Music: The Analytical Approach of Ulrich Siegele
Choir Workshops
July 4/5 – Wenkheim/Synagogue: Artikus e.V. (Artistic Initiative Lauda-Königshofen – Organization for Intercultural Dialogue)
Moderations
October 29 – New York/Manhattan School of Music: Portrait: The Composer Ned Rorem
November 3 – New York/The Tank: Portrait: The Composers Chris Otto and Robert Morris
November 10 – New York/The Tank: Portrait: The Composer Alex Mincek
Publications: Scores
Schott International: Maria durch ein Dornwald ging
Arrangement for Mixed Chorus a cappella
Publications: CD's
Rachel Payne Edition: Twisted Folk
Arrangements of British and American Folk (Rachel Youngberg Payne, soprano/Reiko Fueting, piano)
Publikationen: Artikel
Music and Church Kassel: Why Am I "Not" Composing Liturgial Music? (with Kathleen Furthmann)
|
2008 |
Performances
January 27 – Rostock/Conservatory for Music and Theater: I wonder as I wander
Composition (for Children) after the American Folk Song for Piano (Johanna Furthmann) – Jugend Musiziert –
February 14 – New York/Zankel Hall at Carnegie Hall: “…und ich bin Dein Spiegel”
Composition after Mechthild von Magdeburg for Soprano and String Quartet (Megan Schubert, TactusEnsemble)
February 21 – New York/The Gershwin Hotel: Three American Folk Songs
Arrangements for Voice and Piano (Nina Berman, Jing Yang)
March 17 – Denver/Denver State College: “über zwischen-welten”
Composition after Kathleen Furthmann/Version for Mezzo Soprano, Piano, and Percussion (Bo Chang, Steve Beck, Alex Lipowski) – ECCE Composer’s Series –
March 18 – Louisville, KY/First Unitarian Church: …CE… (Prélude)
Composition 2 for Violoncello (John Popham) – Red Light New Music Southern Tour –
March 21 – Charlston, SC/Redux Contemporary Art Center: …CE… (Prélude)
Composition 2 for Violoncello (John Popham) – Red Light New Music Southern Tour –
April 12 – New York/Tompkins Square Gallery: Ach Elslein, liebes Elselein
Composition after the German Folk Tune for Violin and Viola (Olivia de Prato, Victor Lowrie)
April 12 – New York/The Tank: Ach Elslein, liebes Elselein
Composition after the German Folk Tune for Violin and Viola (Olivia de Prato, Victor Lowrie) – Hifi Festival –
April 14 – New York/Monkey Town: …CE… (Prélude)
Composition 2 for Violoncello (John Popham) – Hifi Festival –
April 18 – New York/Manhattan School of Music: leaving without
Composition 3 for Piano (Inesa Sinkevych)
April 19 – New York/Hungarian Cultural Center: …CE… (Prélude)
Composition 2 for Violoncello (John Popham) – Hifi Festival –
May 3 – New York/St. Peter’s Church: Ach Elslein, liebes Elselein
Composition after the German Folk Tune for Violin and Viola (Olivia de Prato, Victor Lowrie) – Wet Ink Series –
May 11 – New York/Greenwich House of Music: Three American Folk Songs
Arrangements for Voice and Piano (Sheri Hammerstrom, Judy Woo)
May 25 – Oldenburg/Fabrik Rosenstraße: re-fraction: shadows
Composition for Violoncello (Matthias Lorenz)
May 29 – Dresden/Blaue Fabrik: re-fraction: shadows
Composition for Violoncello (Matthias Lorenz)
May 30 – Frankfurt, Main/Werkstatt Enke: re-fraction: shadows
Composition for Violoncello (Matthias Lorenz)
May 31 – Magdeburg/St. Sebastian: “…und wo Du bist”
Composition after Kathleen Furthmann for Vocal Ensemble a cappella (labia vocalia Vocal Ensemble)
July 3 – New York/Gershwin Hotel: leaving without
Composition 2 for Piano (Mia Elezovic)
July 10 – New York/Gershwin Hotel: Three American Folk Songs
Arrangements for Voice and Piano (Megan Schubert, Mia Elezovic)
July 25 – Bad Doberan/Cathedral: “…daß sie Dich behüten”
Composition for the Baptism of Lily Riedel for Mixed Chorus a cappella (after Psalm 91)
August 1 – Hong Kong/Osage Gallerie: Ach Elslein, liebes Elselein
Composition after the German Folk Song for Violin and Viola(Olivia de Prato, William Lane) – Grenzenlos Summer Festival –
September 9 – New York/Manhattan School of Music: Three American Folk Songs
Arrangements for Voice and Piano (Nani Kang, Daniela Bracchi)
September 13 – Magdeburg/St. Petri: “…und wo Du bist”
Composition after Kathleen Furthmann for Vocal Ensemble a cappella (labia vocalia Vocal Ensemble)
October 4 – New York/Connecticut: Three American Folk Songs
Arrangements for Voice and Piano (Sheri Hammerstrom, Judy Woo)
October 24 – Riga/Great Hall of Latvian University: weht – umweht
Composition after Kathleen Furthmann for Mixed Chorus a cappella (RIAS Chamber Choir/Hans-Christoph Rademann)
October 26 – Berlin/Radialsystem: weht – umweht
Composition after Kathleen Furthmann for Mixed Chorus a cappella (RIAS Chamber Choir/Hans-Christoph Rademann) – TENSO Festival –
October 28 – New York/Manhattan School of Music: Ach Elslein, liebes Elselein/extraction
Composition after the German Folk Song/Version for Trumpet in B-flat and Trombone (Andrew Kozar, William Lang)
November 10 – New York/Manhattan School of Music: Ach Elslein, liebes Elselein
Composition after the German Folk Song for Violin and Viola (Olivia de Prato, Victor Lowrie) – MSM Faculty Composers’ Series –
Concerts
June 15 – Niederlehme/School: Lecture Recital with piano miniatures from three centuries
Guest Lectures
July 25 – Shenyang/Northeast University: Architecture and Symbol in Fugues by Johann Sebastian Bach
July 26 – Changchun/Northeast Normal University – Teachers College: Architecture and Symbol in Fugues by Johann Sebastian Bach
July 27 – Changchun/Northeast Normal University: Architecture and Symbol in Fugues by Johann Sebastian Bach
November 5 – New York/Columbia University: Portrait: Conceptual Stages as a Compositional Principle
Choir Workshops
July 5/6 - Wenkheim/Synagogue: Artikus e.V. (Artistic Initiative Lauda-Königshofen – Organization for Intercultural Dialogue)
Publications: Scores
Schott International: Es geht ein' dunkle Wolk' herein
Arrangement for Mixed Chorus a cappella
|
2007 |
Performances
January 20 – Bad Doberan/Festsaal: Stufen – Schleifen – Kreise
Composition (for Children) for Piano with Violoncello and Violin (Johanna Furthmann, Eleonora Heiden, Deborah Heiden) – Jugend Musiziert –
January 28 – Oakdale/Carriage House: red wall
Composition for Guitar (Dan Lippel)
February 15 – New York/The Tank: red wall
Composition for Guitar (Dan Lippel) – AMP New Music Series –
February 17 – New York/Manhattan School of Music: …CE… (Prélude)
Composition 2 for Violoncello
April 17 – Berlin/BKA: re-fraction: shadows
Composition for Violoncello (Matthias Lorenz)
April 17 – Berlin/BKA: re-fraction: shadows/palimpsest 1
Composition for Violoncello with Violin (Matthias Lorenz, Karina Bellmann)
April 17 – Berlin/BKA: re-fraction: shadows/palimpsest 2
Composition for Violoncello with Violin and Piano (Ensemble Courage: Matthias Lorenz, Karina Bellmann, Tobias Schwencke) – Unerhörte Musik Series –
May 3 – New York/Festspielhaus Hellerau: leaving without/palimpsest 2
Composition for Piano with Clarinet and Ensemble (Yegor Shevtsov, Sarah Beaty, Wet Ink Ensemble, Carl Bettendorf) – Wet Ink Series –
June 2 – Dresden/Festspielhaus Hellerau: re-fraction: shadows
Composition for Violoncello (Matthias Lorenz, Karina Bellmann)
June 2 – Dresden/Festspielhaus Hellerau: re-fraction: shadows/palimpsest 1
Composition for Violoncello with Violin (Ensemble Courage: Matthias Lorenz, Karina Bellmann)
June 2 – Dresden/Festspielhaus Hellerau: re-fraction: shadows/palimpsest 1
Composition for for Violoncello with Violin and Piano (Ensemble Courage: Matthias Lorenz, Karina Bellmann, Tobias Schwencke)
June 6 – Berlin/Conservatory of Music “Hanns Eisler”: …CE… (Prélude)
Composition 2 for Violoncello (John Popham)
August 2 – Fort Worth/Art Museum: red wall
Composition for Guitar (Dan Lippel)
August 5 – Lübz/Hausmusik: …CE… (Prélude)
Composition 2 for Violoncello (John Popham)
November 5 – New York/Manhattan School of Music: leaving without/palimpsest 2
Composition for Piano with Clarinet and Ensemble (Yegor Shevtsov, Crystal Medina, Ensemble/Magnus Martensson) – MSM Faculty Composers' Series –
November 11 – New York/Manhattan School of Music: Three American Folk Songs
Arrangements for Voice and Piano (Nina Berman, Jing Yang)
November 16 – New York/Good Shepherd Church: nach-klang: dissolve (Etüde)/palimpsest 2
Composition for Piano with Ensemble (Caroline Park, Manhattan Chamber Orchestra/Richard Clark)
November 23 – Schulzendorf/Patronaskirche: Three American Folk Songs
Arrangements for Voice and Piano (Matthias Vieweg, Reiko Füting)
November 24 – Königs Wusterhausen/Bürgerhaus “Hanns Eisler”: Three American Folk Songs
Arrangements for Voice and Piano (Matthias Vieweg, Reiko Füting)
Concerts
March 25 – New York/Manhattan School of Music: Giampaol Bracali: Il Tramanto della luna (Sharon Spinetti, soprano)
May 3 – New York/The Friend‘s Seminary Meeting House: Beat Furrer: Presto (Erin Lesser, flute)
November 23 – Schulzendorf/Patronatskirche: Lied recital with Matthias Vieweg, baritone
November 24 – Königs Wusterhausen/Bürgerhaus “Hanns Eisler”: Lied recital with Matthias Vieweg, baritone
Guest Lectures
May 21 – Beijing/China Central Conservatory of Music: Aural Skills at the Manhattan School of Music
May 23 – Beijing/China Central Conservatory of Music: Aural Skills: Masterclass (1)
May 24 – Beijing/China Central Conservatory of Music: Aural Skills: Masterclass (2)
June 22 – Dresden/Conservatory: Organization of Time in Perotin's "Viderunt omnes"
Choir Workshops
July 4/5 – Wenkheim/Synagogue: Artikus e.V. (Artistic Initiative Lauda-Königshofen – Organization for Intercultural Dialogue)
|
2006 |
Performances
February 12 – New York/New York School of Strings: finden-suchen
Composition for the 60th Birthday of Jörg Herchet for Alto Flute, Violoncello, and Piano (Erin Lesser, Christine Christensen, Yegor Shevtsov)
February 12 – New York/New York School of Strings: leaving without
Composition 2 for Piano (Yegor Shevtsov) – Red Light New Music Series –
February 24 – New York/Tenri Cultural Institute: leaving without/palimpsest 1
Composition for Piano with Clarinet (Yegor Shevtsov, Carol McGonnell) – Wet Ink Music Series –
March 18 – New York/The Construction Company: red wall
Composition for Guitar (Dan Lippel) – Music Under Construction Series –
May 9 – Stockton/University of the Pacific: leaving without/palimpsest 1
Composition for Piano with Clarinet (Wei Gu, Erin Finkelstein)
May 28 – Beijing/China Central Conservatory of Music Chamber Music Hall: leaving without/palimpsest 1
Composition for Piano with Clarinet – Beijing Modern Music Festival –
May 28 – Beijing/China Central Conservatory of Music Grand Concert Hall: re-fraction: shadows/palimpsest 2
Composition for Violoncello with Violin and Piano – Beijing Modern Music Festival –
July 13 – Berlin/Conservatory of Music “Hanns Eisler”: "über zwischen-welten"
Composition after Kathleen Furthmann for Baritone, Piano, and Percussion Quartet (Matthias Vieweg, Dana Sturm, Percusemble Berlin)
July 25 – New York/The Stone: leaving without/palimpsest 1
Composition for Piano with Clarinet (Joseph Kubera, Carol McGonnell) – S.E.M. Ensemble Recital Series –
September 30 – New York/Tenri Cultural Institute: red wall
Composition for Guitar (Dan Lippel) – The Irving Lippel Project Series –
October 22 – Brooklyn/Monkeytown: red wall
Composition for Guitar (Dan Lippel)– New Voices from Around the World Series –
October 23 – New York/Manhattan School of Music: red wall
Composition for Guitar (Dan Lippel) – New Voices from Around the World Series–
October 27 – New York/Greenwich House of Music: “…gesammeltes Schweigen”
Composition after Reiner Bonack/Version for Alto Voice without Accompaniment (Daisy Press) – Wet Ink Music Series –
October 31 – Dresden/Semper Opera House: weht – umweht
Composition after Kathleen Furthmann for Mixed Chorus a cappella (Dresdner Kammerchor/Hans-Christoph Rademann) – Dresden Chamber Choir Competition –
November 2 – Moscow/Center for Contemporary Art: re-fraction: shadows/palimpsest 2
Composition for Violoncello with Violin and Piano (Ilya Rubinstein, Petr Bobrovski, Alexei Muratov)
November 5 – New York/Good Shepherd Catholic Church: red wall
Composition for Guitar (Dan Lippel)
November 6 – New York/Manhattan School of Music: “über zwischen-welten”
Composition after Kathleen Furthmann for Baritone, Piano, and Percussion Quartet (Matthias Vieweg, Ensemble, Ted Hearne/conductor) – Faculty Composers Concert –
November 17 – Moscow/Hall of the Composer’s Union: leaving without
Composition 2 for Piano (Alexei Muratov)
November 17 – Moscow/Hall of the Composer’s Union: re-fraction: shadows/palimpsest 2
Composition for Violoncello with Violin and Piano (Ilya Rubinstein, Petr Bobrovski, Alexei Muratov) – Moscow Autumn Festival of Contemporary Music –
November 20 – Moscow: Tchaikovsky Conservatory: re-fraction: shadows/palimpsest 2
Composition for Violoncello with Violin and Piano (Ilya Rubinstein, Petr Bobrovski, Alexei Muratov)
November 24 – Schulzendorf/Patronatskirche: “…gesammeltes Schweigen"
Composition after Rainer Bonack for Baritone and Piano (Matthias Vieweg, Reiko Füting)
November 25 – Magdeburg/Schinkelsaal: “...gesammeltes Schweigen"
Composition after Rainer Bonack for Baritone and Piano (Matthias Vieweg, Reiko Füting)
November 25 – Moscow: Institute for Journalism and Literature: re-fraction: shadows/palimpsest 2
Composition for Violoncello with Violin and Piano (Ilya Rubinstein, Petr Bobrovski, Alexei Muratov)
December 17 – New York/St. Andrew’s Church: leaving without
Composition 2 for Piano (Yegor Shevtsov) – Red Light New Music Series –
Concerts
February 3 – New York/Columbia University – Columbia University Music Scholarship Conference for Improvisation –
February 12 – New York/New York School of Strings: Jo Kondo: Walk (Erin Lesser, flute) – Red Light New Music Series –
April 14 – New York/The Friend’s Seminary Meeting House: Jo Kondo: Walk (Erin Lesser, flute) – Wet Ink Music Series –
November 6 – New York/Manhattan School of Music: Nils Vigeland: Die Jahreszeiten (Matthias Vieweg, baritone)
November 24 – Schulzendorf/Patronatskirche: Lied recital with Matthias Vieweg, baritone
November 25 – Magdeburg/Schinkel Hall: Lied recital with Matthias Vieweg, baritone
Guest Lectures
May 28 – Beijing/China Central Conservatory of Music Grand Concert Hall: The Dresden Composer Jörg Herchet: Before 1989/After 1989
June 28 – Berlin/Freie Universität Berlin/International Summer University: Conceptual Stages as a Compositional Principle
November 20 – Moscow/Tchaikovsky Conservatory: Portrait: Aspects of Form, Time, and Space
Choir Workshops
July 1/2 - Wenkheim/Synagogue: Artikus e.V. (Artistic Initiative Lauda-Königshofen – Organization for Intercultural Dialogue)
|
2005 |
Performances
January 29 – Dresden/Kreuzkirche: “…als aus nacht himmel wurde”
Composition after Kathleen Furthmann for Mixed Chorus, Flute, and Bass Trombone (HfKM Chorus Dresden/Christfried Brödel, Karoline Schulz, Christoph Auerbach)
– Vespers to Commemorate the 60th Anniversary of the Destruction of Dresden –
March 19 – New York/Manhattan School of Music: re-fraction: shadows
Composition for Violoncello (Christine Christensen)
June 15 – New York/The Bowery Poetry Club: re-fraction: shadows/palimpsest
Composition for Violoncello with Violin (Miranda Cuckson, Joanne Lin) – Wet Ink Music Series –
July 6 – Berlin/Freie Universität: “gesammeltes Schweigen"
Composition after Rainer Bonack for Baritone und Piano (Matthias Vieweg, Reiko Füting) – The American Academy in Berlin –
October 14 – New York/Tenri Cultural Center: red wall/palimpsest
Composition for Guitar, Piano, Percussion, and Saxophone (Flexible Music Ensemble) – Wet Ink Music Series –
November 7 – New York/Manhattan School of Music: re-fraction: shadows/palimpsest 2
Composition for Violoncello with Violin and Piano (Miranda Cuckson, Christine Christensen, Yegor Shevtsov) – MSM Faculty Composers Concert –
November 20 – New York/Cake Shop: Nature Piece no. 2
Arrangement of the Piano Composition by Morton Feldman for 2 Saxophones und 2 Guitars (Zs Ensemble) – Wet Ink Music Series –
Concerts
March 14 – New York/Manhattan School of Music: Anton Webern: Songs op. 3 (Daisy Press, soprano)
March 19 – New York/Manhattan School of Music: Anton Webern: Pieces op. 11 (Christine Christensen, violoncello)
May 7 – New York/Manhattan School of Music: Anton Webern: Songs op. 3, op. 25 (Daisy Press, soprano)
May 8 – New York/Manhattan School of Music: Robert Schumann: Liederkreis op. 39 (Emir Isik, baritone)
May 28 – Dresden/Conservatory: Lydia Weißgerber: wiederkehrend
June 11 – Dresden/Zionskirche: Lydia Weißgerber: wiederkehrend
July 6 – Berlin/Freie Universität: Reiko Füting: “...gesammeltes Schweigen" (Matthias Vieweg, Reiko Füting)
Guest Lectures
June 24 - Dresden/Conservatory: A comparison of stylistic associations in selected operas by Strauss and Berg
July 6 – Berlin/Free University Berlin/International Summer University: “Re-Action" as a Compositional Prinicple
Choir Workshops
July 2/3 - Wenkheim/Synagogue: Artikus e.V. (Artistic Initiative Lauda-Königshofen – Organization for Intercultural Dialogue)
|
2004 |
Performances
January 22 – New York/Greenwich House of Music: nach-klang: dissolv (Etüde)
Composition 3 for Piano (Caroline Park) – Wet Ink Music Series –
January 29 – New York/Manhattan School of Music: leaving without
Composition 2 for Piano (Ruben Yessayan)
March 8 – Orleans/Salle de L'institut: nach-klang: dissolve (Etüde)
Composition 3 for Piano (Caroline Park)
April 2 – New York/The Friend‘s Seminary Meeting House: nach-klang: dissolve/palimpsest
Composition for Piano with Flute and Bassoon (Scarborough Trio) – Wet Ink Music Series –
April 13 – New York/Manhattan School of Music: Ach Elslein, liebes Elselein
Composition 1 after the German Folk Tune for Violin and Viola (Cecee Pantikian, Hayley Neher) – Transit Music Series –
April 26 – Tashkent/State Conservatory: finden-suchen
Composition for the 60th Birthday of Jörg Herchet for Alto Flute, Violoncello, and Piano (Ensemble courage, Dresden) – Festival of Contemporary Music Tashkent –
August 28 – Eisenach/Wartburg: atme-erkenne
Composition after Kathleen Furthmann for Mixed Chorus and Trombone (Incanto Weimar/Tilo Krause, Jörg Leitz) – MDR Music Summer Festival –
November 14 – New York/St. Andrew’s Methodist Church: leaving without
Composition 2 for Piano (Renate Rohlfing) – Red Light New Music Series –
November 18 – New York/Manhattan School of Music: “…gesammeltes Schweigen”
Composition after Rainer Bonack for Baritone and Piano (Matthias Vieweg, Reiko Füting)
November 21 – Königs Wusterhausen/Bürgerhaus “Hanns Eisler”: “…gesammeltes Schweigen"
Composition after Rainer Bonack for Baritone and Piano (Matthias Vieweg, Reiko Füting)
November 23 – Wernigerode/Lyceum: “…gesammeltes Schweigen"
Composition after Rainer Bonack for Baritone and Piano (Matthias Vieweg, Reiko Füting)
November 25 – Berlin/Schwarzsche Villa: “…gesammeltes Schweigen"
Composition after Rainer Bonack for Baritone and Piano (Matthias Vieweg, Reiko Füting)
November 27 – Dresden/Pianosalon: “…gesammeltes Schweigen"
Composition after Rainer Bonack for Baritone and Piano (Matthias Vieweg, Reiko Füting)
Concerts
January 31 – New York/Music Under Construction: Chamber music by Kagel and Dahlgreen – Music Under Construction Series –
May 13 – New York/Irish Arts Center: Schumann: Liederkreis op. 39 (Emir Isik, baritone)
November 18 – New York/Manhattan School of Music: Lied recital with Matthias Vieweg, baritone
November 21 – Königs Wusterhausen/Bürgerhaus “Hanns Eisler”: Lied recital with Matthias Vieweg, baritone
November 23 – Wernigerode/Lyceum: Lied recital with Matthias Vieweg, baritone
November 25 – Berlin/Schwarzsche Villa: Lied recital with Matthias Vieweg, baritone
November 27 – Dresden/Pianosalon: Lied recital with Matthias Vieweg, baritone
Guest Teaching
Srping Semester – New York/New School UniversityUniversity: Guest Faculty
Guest Lectures
January 28 – New York/Manhattan School of Music: Pre-concert lecture: Beethoven and Schubert (American String Quartet)
Choir Workshops
July 3/4 – Wenkheim/Synagogue: Artikus e.V. (Artistic Initiative Lauda-Königshofen – Organization for Intercultural Dialogue)
July 5-7 – Wernigerode/State Music Highschool: Radio Youth Choir Wernigerode
|
2003 |
Performances
June 19 – Dresden/Conservatory: Ach Elslein, liebes Elselein
Composition after the German Folk Song for Violin and Viola (Barbara Tzschoppe, Daniel Schultze)
August 28 – Ostrava/Philharmonic: "...erst im erschrockenen Raum"
Composition after Rainer Maria Rilke for Mezzo Soprano and Orchestra (Petra Saverova, Janacek Philharmonic Orchestra/Peter Vronsky) – Ostrava Days of New Music Festival –
September 25 – Heilbronn/K3: gleichzeitig nacheinander
Composition 1 for Piano (Reiko Füting) – International Piano Forum …antasten… Heilbronn –
November 1 – Dresden/Blaue Fabrik: finden-suchen
Composition for the 60th Birthday of Jörg Herchet for Alto Flute, Violoncello, and Piano (Karoline Schulz, Matthias Lorenz, Uwe Krause)
November 7 – New York/Manhattan School of Music: leaving without
Composition 2 für Piano (Ruben Yessayan)
November 14 – New York/Manhattan School of Music: "silently wanders"
Composition after E. E. Cummings for Mixed Chorus a cappella (Tactus Ensemble/Patti Monson)
Concerts
April 19 – Loevenworth/Canyon Wren Recital Hall: Chamber recital with Hayley Neher, viola and Andrew Blanco, percussion
April 10 – Albany: Chamber recital with Hayley Neher, viola and Andrew Blanco, percussion
April 24 – New York/Manhattan School of Music: Chamber recital with Hayley Neher, viola and Andrew Blanco, percussion
August 25 – Ostrava/Conservatory: Todd Tarrantino: Chamber Concerto – Ostrava Days of New Music Festival –
August 26 – Ostrava/Conservatory: Sam Hillmer: this is what it’s like most of the time – Ostrava Days of New Music Festival –
September 20 – Heilbronn/K3: Piano recital with compositions by Dresden composers – International Piano Forum …antasten… Heilbronn –
Guest Lectures
November 7 – New York/Manhattan School of Music: Introduction to the Composition for Piano “leaving without”
Choir Workshops
July 4-6 – Wenkheim/Synagogue: Artikus e.V. (Artistic Initiative Lauda-Königshofen – Organization for Intercultural Dialogue)
Publications: Articles
Publisher Klaus-Jürgen Kamprad: Return and Opening the Space: The First Composition for Piano by Jörg Herchet
Festschrift for Jörg Herchet's 60th Birthday
Radio Broadcasts: Piano
February 27 – MDR Kultur
Michael Flade: unverbunden strömt verbindlich – Composition for Piano (Reiko Füting, piano) – Radio Series "Eigenart blüht auf 1" –
|
2002 |
Performances
February 16 – Bamberg/Konzerthalle: 5 Internationale Volkslieder
Arrangement for Women’s Chorus (Musica Viva Chor Bamberg/Fritz Braun)
March 14 – London/St. Mary´s Church: leaving without
Composition 2 for Piano (Arielle Levioff)
April 18 – New York/Manhattan School of Music: light, asleep
Composition for Violin and Piano (Tylor Neist, Reiko Füting)
May 13 – Freiburg/E-Werk: gleichzeitig nacheinander
Composition 1 for Piano (Reiko Füting)
May 14 – Stuttgart/Landesbank: gleichzeitig nacheinander
Composition 1 for Piano (Reiko Füting)
June 2 – New York/Merkin Concert Hall: leaving without
Composition 2 for Piano (Arielle Levioff)
June 7 – Gutenzell/ehem. Kolonialwarenhandlung: gleichzeitig nacheinander
Composition 1 for Piano (Reiko Füting)
June 8 – Heilbronn/K3: gleichzeitig nacheinander
Composition 1 for Piano (Reiko Füting)
June 10 – Dresden/Klaviersalon: gleichzeitig nacheinander
Composition 1 for Piano (Reiko Füting)
September 27 – New York/Greenwich House of Music: gleichzeitig nacheinander
Composition 1 for Piano (Reiko Füting) – Wet Ink Music Series –
October 7 – Dresden/Drei Königs Kirche: “silently wanders”
Composition after E. E. Cummings Mixed Chorus a cappella (Saxon Vocal Ensemble/Matthias Jung) – Dresden Days of Contemporary Music Festival –
October 12 – Magdeburg/Kloster Unser lieben Frauen: ”...gesammeltes Schweigen”
Composition after Rainer Bonack for Baritone and Piano (Matthias Vieweg, Reiko Füting) – 2nd Magdeburg Concert Festival –
October 13 – Magdeburg/Kloster Unser lieben Frauen: Telemann-Variations
Instrumentation of the Piano Composition by Max Reger for Chamber Orchestra (Sinfonietta Dresden/Eckehart Stier) – 2nd Magdeburg Concert Festival –
October 13 – Eichwalde/Alte Feuerwache: ”...gesammeltes Schweigen”
Composition after Rainer Bonack for Baritone and Piano (Matthias Vieweg, Reiko Füting)
November 24 – Berlin/Jüdisches Waisenhaus: gleichzeitig nacheinander
Composition 1 for Piano (Caroline Park)
Concerts
May 5 – New York/Church of the Incarnation: Lied recital with Peter Foltz, tenor
May 13 – Freiburg/E-Werk: Piano recital with compositions by Dresden composers
May 14 – Stuttgart/Landesbank: Piano recital with compositions by Dresden composers
June 7 – Gutenzell/ehem. Kolonialwarenhandlung: Piano recital with compositions by Dresden composers
June 8 – Heilbronn/K3: Piano recital with compositions by Dresden composers
June 10 – Dresden/Pianosalon: Piano recital with compositions by Dresden composers
September 27 – New York/Greenwich House of Music: Piano recital with compositions by Dresden composers
October 12 – Magdeburg/Concert Hall: Lied recital with Matthias Vieweg, baritone – Festival 2. Magdeburgisches Concert –
October 13 – Eichwalde/Alte Feuerwache: Lied recital with Matthias Vieweg, baritone
Guest Lectures
July 4 – Leipzig/University: Piano music by Michael Flade and Reiko Füting
Choir Workshops
July 6/7 – Wenkheim/Synagogue: Artikus e.V. (Artistic Initiative Lauda-Königshofen – Organization for Intercultural Dialogue)